Comments on: The Fashion Magazine as Personal Art Project http://www.businessoffashion.com/2009/10/the-fashion-magazine-as-personal-art-project.html The Business of Fashion is the daily must-read for fashion creatives, business professionals and entrepreneurs in more than 150 countries around the world. Fri, 19 Mar 2010 06:48:49 +0000 http://wordpress.org/?v=2.8.6 hourly 1 By: H.D. http://www.businessoffashion.com/2009/10/the-fashion-magazine-as-personal-art-project.html#comment-15199 H.D. Fri, 30 Oct 2009 13:03:22 +0000 http://www.businessoffashion.com/?p=7446#comment-15199 This is a similar "business model" as Gravure Magazine - it does not accept advertising. There are too few venues in the US market for creative work, and the best creative work in magazines always seems to be that which is not tied to any commercial interest. This is a similar “business model” as Gravure Magazine – it does not accept advertising.

There are too few venues in the US market for creative work, and the best creative work in magazines always seems to be that which is not tied to any commercial interest.

]]> By: Daniel Thawley http://www.businessoffashion.com/2009/10/the-fashion-magazine-as-personal-art-project.html#comment-14818 Daniel Thawley Mon, 26 Oct 2009 13:52:55 +0000 http://www.businessoffashion.com/?p=7446#comment-14818 I believe that alongside these we must certainly include A Magazine Curated By, the title that has played host to designers such as Martin Margiela, Hussein Chalayan, Haider Ackermann and Riccardo Tisci over it's five year history as a platform for designers to showcase the artistic world around them. A Magazine extends beyond the title of 'magazine' becoming a reference for those designers of their own vision and to the public, and a milestone that has potential to live on through exhibition and web-based content now and in the future. I believe that alongside these we must certainly include A Magazine Curated By, the title that has played host to designers such as Martin Margiela, Hussein Chalayan, Haider Ackermann and Riccardo Tisci over it’s five year history as a platform for designers to showcase the artistic world around them.
A Magazine extends beyond the title of ‘magazine’ becoming a reference for those designers of their own vision and to the public, and a milestone that has potential to live on through exhibition and web-based content now and in the future.

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