Skip to main content
BoF Logo

The Business of Fashion

Agenda-setting intelligence, analysis and advice for the global fashion community.

A Sense of Unravelling

Natasa Cagalj's Milanese debut for Ports 1961 show was fast, modernist and androgynous.
Ports 1961 Autumn/Winter 2016 | Source: InDigital.tv
By
  • Angelo Flaccavento

MILAN, Italy —  Natasa Cagalj's Milanese debut as womenswear creative director at Ports was much anticipated. The show was fast, moderninst, androgynous and came with a sensual sense of unraveling. It looked like the mannish tailoring which was the bulk of the collection was slashed and then peeled away from the body. The idea worked, not least because the execution was technically masterful. But the overall aesthetic felt derivative. Let's hope Cagalj forgets about Céline pretty soon.

In This Article

© 2024 The Business of Fashion. All rights reserved. For more information read our Terms & Conditions

More from Fashion Week
Independent show reviews from fashion’s top critics.

What I Learned From Fashion Month

From where aspirational customers are spending to Kering’s challenges and Richemont’s fashion revival, BoF’s editor-in-chief shares key takeaways from conversations with industry insiders in London, Milan and Paris.


view more

Subscribe to the BoF Daily Digest

The essential daily round-up of fashion news, analysis, and breaking news alerts.

The Business of Fashion

Agenda-setting intelligence, analysis and advice for the global fashion community.
CONNECT WITH US ON
BoF Professional - How to Turn Data Into Meaningful Customer Connections
© 2024 The Business of Fashion. All rights reserved. For more information read our Terms & Conditions, Privacy Policy, Cookie Policy and Accessibility Statement.
BoF Professional - How to Turn Data Into Meaningful Customer Connections