Hermès Kelly Bag, courtesy of Hermès

BRUSSELS, Belgium — Sometimes, a mere glimpse of a product’s silhouette is enough to tell which designer or fashion house created it: the Chanel No 5 perfume bottle, the toe of a Berluti shoe, the unique shape of the Fendi baguette. Today, there is renewed interest in these kinds of classic products as shape and design have made a return in making a product desirable, especially now when consumers don’t want their products to scream with logos and bling.

As they look for unbranded products that are recognisable for their design, this also raises the question of whether there is adequate legal protection for these more subtle indications of provenance. This will almost certainly reignite a debate for strong design right protection, but it might also mean that the shape of a product is worthy of trademark protection in and of itself.

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When a designer with an international, cult following of fashion insiders shifts his headquarters to Brussels, could it mean that the Belgian city better known for its frites, waffles and EU bureaucracy will be the next fashion hotspot? I sat down with Brussels’ new transplant, David Szeto, in his huge 2 story space (see above) to learn the reasons behind his move from Paris, Szeto’s long-standing home base.

Antwerp, of course, is the reigning champion of Belgian fashion, having produced the avant-garde group of designers known as the Antwerp Six, all of whom graduated from Antwerp’s famous Royal Academy of Fine Arts. More recently, the school has gained recognition for nurturing designers like Bruno Pieters, Kris van Assche and Haider Ackerman. But, if David’s recent move is anything to go by, then maybe we’ll be talking about the Brussels Six as well someday.

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