More than previous generations, millennnials want social responsibility and transparency from the brands they buy. Fashion companies that fail to change risk losing relevance, argue Maxine Bédat and Soraya Darabi.
Italian Vogue’s domestic violence-themed cover story proves that fashion photography is a powerful medium which can carry important messages, but it should have been stripped of its commercial credits, argues Mimma Viglezio.
As London’s Victoria and Albert Museum unveils “The Glamour of Italian Fashion,” Colin McDowell explores the country’s rich fashion history.
Technology will replace products, brands and financial strategies as the key source of value creation for fashion companies, argues Enrico Beltramini.
The April 2014 cover of American Vogue, featuring Kanye West and Kim Kardashian, proves that media now belongs to the people — but Vogue is not dead, writes Bonnie Morrison.
Given the intertwined beauty and troubled complexity of the lives of Yves Saint Laurent and his lover and business partner Pierre Bergé, Jalil Lespert’s biopic should have been much more interesting than it is, reports Colin McDowell.