No longer confined to the fringes of fashion, the goth aesthetic is being mined by a wider spectrum of designers, observes Eugene Rabkin.
Fashion must react quickly to changes in technology and make do-it-yourself, 3D-printable designs in order to avoid a coming flood of infringement and, instead, benefit from the rise of 3D printing, argues Rose Auslander, a partner in the Intellectual Property department of Carter Ledyard & Milburn LLP, a Wall Street law firm.
In response to the continuing injustices suffered by garment workers globally, tougher regulations and more stringent factory audits are not enough, says Rob Broggi, CEO and founding partner of Industrial Revolution II, a new kind of garment factory founded on the principles of socially responsible manufacturing.
The rise of high definition, highly accessible digital documentation is driving cut-and-paste fashion trends, argues Liroy Choufan.
In fashion e-commerce, those who adopt ‘net native’ business models will rise to the top, says Lyst founder Chris Morton.
Lawrence Lenihan, managing director of FirstMark Capital, argues that the Internet provides a new model for building fashion businesses based on passionate and intimate relationships with consumers, but the maximum market size for these companies is inherently capped, something that overcapitalised entrepreneurs, and the investors who fund them, too often fail to recognise.
Fashion resale sites could follow the trajectory of online sample sales, from must-shop to bottom-feeder. But there’s an alternative.
Brooke Taylor of Aganovich, an emerging label that manufactures in France, surfaces the challenges that lie at the heart of the current ‘Made in France’ product labelling system and says it’s time for a rethink.