On the eve of the gala to benefit the Metropolitan Museum of Art’s Costume Institute and celebrate the launch of this year’s fashion exhibit, “Charles James: Beyond Fashion,” Colin McDowell looks back at the life and work of the designer who Christian Dior called “the greatest talent of my generation.”
On Fashion Revolution Day, the anniversary of the Rana Plaza garment factory collapse in Bangladesh, Tamsin Blanchard challenges consumers take action against mindless fashion consumption.
Armed with huge sums of money invested at sky-high valuations, fashion start-ups are setting themselves up for failure. But with the right capital structure, any company that can build a brand that delights its customers can be an economic win for all involved, argues Lawrence Lenihan.
More than previous generations, millennnials want social responsibility and transparency from the brands they buy. Fashion companies that fail to change risk losing relevance, argue Maxine Bédat and Soraya Darabi.
Italian Vogue’s domestic violence-themed cover story proves that fashion photography is a powerful medium which can carry important messages, but it should have been stripped of its commercial credits, argues Mimma Viglezio.
As London’s Victoria and Albert Museum unveils “The Glamour of Italian Fashion,” Colin McDowell explores the country’s rich fashion history.
Technology will replace products, brands and financial strategies as the key source of value creation for fashion companies, argues Enrico Beltramini.
The April 2014 cover of American Vogue, featuring Kanye West and Kim Kardashian, proves that media now belongs to the people — but Vogue is not dead, writes Bonnie Morrison.