In his latest column, Colin McDowell reviews Jean Patou, A Fashionable Life, Dior Glamour and Memos: The Vogue Years.
With blockbuster mega-shows on the rise, BoF examines the impact on niche fashion exhibitions.
LONDON, United Kingdom — It’s that time again when we take a look back at the people, places and innovations that have defined the year in the business of fashion. And what a year it’s been. From the debuts of new heavyweight designers at megabrands Dior and Yves Saint Laurent to the flurry of digital innovations and the rising markets of India, China and Brazil, we’ve covered it all. It was also a particularly special year for
Colin’s Column | Looking Back at London (Opinion) “Are we talking about London Fashion Week or a festival of childish self-indulgence? For me, fashion design is about cut, shape, body and proportion, as it always has been. But sadly, many of the recent London shows featured banal shapes hidden under a riot of digitally created patterns, sometimes in the crudest of colours. Finding Your M.O. | Part 8: Managing Your
To coincide with the release of the documentary film “Diana Vreeland: The Eye Has To Travel”, contributing editor Colin McDowell recalls the legendary editor of Harper’s Bazaar and Vogue. LONDON, United Kingdom — I first met Diana Vreeland at lunch in an Italian castle just outside Rome in the late 70s. It was a hot and sultry day and, although everyone there spoke English, albeit heavily accented in many cases, I think she was