Will fashion’s fetishisation of extreme youth ever end?
On the eve of the Victoria’s Secret Fashion Show, held for the first time in London, Colin McDowell sits down with the multi-tasking Sophia Neophitou-Apostolou, the show’s creative director, and owner and editor-in-chief of 10 Magazine.
In a season where real creativity was forced to fight for space amidst a glut of sameness, BoF brings you our Top 10 Shows of the Season.
The dichotomy between surprising shows and boring clothes explains the conundrum of contemporary fashion in New York and elsewhere, says BoF columnist Angelo Flaccavento.
As fashion’s production merry-go-round whirls ever faster, the role of the runway is changing. Today, courtesy of British Vogue, Sarah Harris examines the state of the fashion show in the digital age.
Sleek and Luxe (IHT) “‘I wanted to play with color, a little of the 1970s and a lot of irony,’ said Ms. Giannini backstage, after the parade of fabulous Ms. Fox furs in turquoise, purple, rust and lilac wrapped around the shoulders above slim leather dresses or those sporty jackets with pleated culotte skirts that looked a lot like Yves Saint Laurent archives updated.” The Kiddie Couturiers (NY Times)
‘Less Is More’ Is Mattering Most (NY Times) “‘Why would you want to spend hundreds of thousands on a show when everybody’s on their BlackBerry and the clothes seem secondary… Intimacy, exclusivity and a chance to see the clothes: those are our priorities. We like exposure, but we want a more controlled exposure.’” Mulberry designer Emma Hill has men’s accessories in the bag (The Australian)