Giles Deacon: From Daks to?

Vanessa Friedman has written an insightful article on the career of Giles Deacon, one of London's most celebrated emerging designers -- though, the 'emerging' title can't be his for much longer, especially now that he has been appointed Creative Director of the British fashion house, DAKS. As I suggested in a previous post, I still wonder whether Giles' destiny is actually to become Creative Director for a Parisian fashion house of international renown. (Suzy Menkes asserted the same point this week in her glowing review of Giles show yesterday in the IHT). It would not be hard to fathom that DAKS is yet another stepping stone in a career that has seen Giles go from Bottega Veneta to Gucci and…

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Jostling for Giles: Giles Deacon, Autumn/Winter 2007

London Fashion Week has come and gone. And, it's a bit like Groundhog Day because this season, yet again, everyone has been eagerly (and vocally) anticipating Giles Deacon's latest turn down the catwalk. You never know what to expect with Giles. Unlike many other designers, he isn't overly focused on his "signature", the technique/look that a designer develops over his or her career to the point of near perfection, for which he or she becomes famous. Sometimes, a signature can lead to being pigeon-holed, but for a man with the creative depth and flexibilty as Giles, this is out of the question. Maybe its because Giles seems to be able to execute so well on so many different styles. One…

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Feting Fetishism, Paris

Last night, legendary Parisian concept store Colette feted London designer Giles Deacon's latest collaboration with Mulberry -- a link to Giles' S/S 07 collection of 'subtle' fetishism. The place was rammed with fashionistas (there were a couple of other events going on). The Parisians are into colour-blocking these days, there was a lot of red, purple and electric blue peaking out of black blazers, leather jackets and dresses. Even the cocktails of the night were electric blue. Collaborations like this are good for emerging designers like Giles because they provide much needed cash to fund the business through working capital crunches, lend credibilty to designer's stature, and raise the profile of the designer on the back of PR events like…

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