PARIS, France — "It's all cinema, it's all from film," said Jean Paul Gaultier, summing up haute couture. Paris' enfant terrible seemed to have a point, speaking on the last day of fall-winter shows that have seen spectators transported from apocalyptic opera houses to the circus and flung across the four corners of the globe.
Colin’s Column | Is Haute Couture Poised for Reinvention or Irrelevance? (Opinion) “Couture! This magic word was all but forgotten 30-odd years ago, except in the most exalted and privileged of social circles. Since its high point in the late 1940s and 1950s, couture clients had shrivelled away just as the lifestyles the couturiers once clothed had withered as well.” Colin’s Column | Paris Couture Week,
PARIS, France — The weather was vile, the taxi shortage extreme. The gutters ran with filthy water from melting snow. We slid and slithered in ankle deep slush. In short, Paris was not at its best. But this was Couture Week (well, three days, which is symptomatic of how fashion ‘weeks’ have shrunk, but old habits — and titles — die hard in fashion circles) and we felt privileged to be there. But is everything shown in Paris during
The Discreet Charm of Christophe Lemaire (WSJ Magazine) “It’s been two years since Lemaire was hired to replace Jean Paul Gaultier as the designer of women’s ready-to-wear for Hermès. This accounts for less than 10 percent of the company’s sales and is dwarfed by accessories, which have the advantage of being both more iconic… and more accessible, like its silk scarves, watches and enamel