The fashion industry is still plagued by a troubling lack of diversity and racial sensitivity and too little is being done about it, says Jason Campbell.
In what has become a bi-annual BoF tradition, editor-in-chief Imran Amed looks back at the fashion season that’s just come to a close.
PARIS, France — Givenchy delivered what could possibly be one of its most imaginative shows in recent memory for spring-summer 2014, a myriad kinetic play of stripes and color that confirms why designer Riccardo Tisci's collections are among the most eagerly anticipated on the Paris calendar.
This season, no single moment dominated the fashion conversation. But there was still lots to talk about. Today, BoF brings you our bi-annual post-fashion month feature, The Season That Was.
Hong Kong Luxury Sales Rebound on Confidence in Mainland (Bloomberg) “Hong Kong’s luxury sales rebounded in a sign that confidence is returning to a Chinese economy that probably picked up pace in the final three months of last year after a seven-quarter slowdown.” PPR in Talks to Sell Redcats Unit to Alpha Fund for $156 Million (Bloomberg) “PPR SA owner of the Gucci brand, said it’s in talks to sell the
LONDON, United Kingdom — Now that the dust has settled on the last of the four major international runways, it’s time to take stock. Watching the shows, I was reminded of British artist Richard Hamilton’s comment on Pop Art, which he described as “transient, expendable, low-cost, mass-produced and… big business.” This seems an almost spookily apt description of at least 70 percent of the collections I have seen this season,
Givenchy: Pure is Beautiful (IHT) “Mr. Tisci’s vision of asking the impossible from his ateliers is part of the story. But the main thread of his collection is the link to those few, rare customers who are searching for the exceptional. And that suddenly seems like 21st century haute couture.” Burberry faces shareholder revolt over ‘excessive’ executive pay (Guardian) “Burberry faces a revolt over executive pay
Riccardo Tisci By Donatella Versace (Interview) “Like any competitive industry, fashion understands the market need for a constant infusion of fresh blood and untapped talent. But among the crop of sartorial prodigies to have emerged in recent years, none has ascended from young upstart to master of the universe as rapidly as 36-year-old Italian designer Riccardo Tisci.” Social Media: The Second Generation (WWD)
Because, Obviously, Everyone Needs a Stylist (WSJ) “Now, a crop of new e-commerce sites are trying to cash in on regular consumers’ desires for a Hollywood-type stylist experience of their own. The sites combine the Internet’s powers of customization with the cachet of stylists to attempt to match of-the-moment products to shoppers’ personal preferences.” Fashion hunts for talent in new growth phase
LONDON, United Kingdom — Today, The Business of Fashion brings you an exclusive preview of The New Creative Establishment, a list of the 50 most influential and inspirational creatives working in fashion today, developed by our friends at INDUSTRIE magazine for their second issue which comes out later this month and was inspired by a much-watched list with a similar name published by Vanity Fair called ‘The New
Skeletons, Family and Religion (IHT) “There was little of the sharp tailoring associated with Givenchy, where Mr. Tisci has been the creative director for five years… In an interview, the designer explained his vision.” Perrone Quits as CEO of Italian Suitmaker Brioni (Bloomberg) “Perrone, the 40-year-old grandson of Brioni co-founder Gaetano Savini, was appointed sole CEO in July last year, replacing a