Decarnin exits Balmain, Reviving Russia, Boom time in Australia, Twitter’s brand pages, Ruth Hogben live

Christophe Decarnin | Source: Homme a la Mode

Balmain Exit (Vogue UK) “Christophe Decarnin is leaving Balmain after spending five years as creative director. A successor has not yet been appointed…. Decarnin joined the French fashion house in 2005 as a designer before being made the creative director in November 2007. He is largely credited for introducing the rock and military-inspired look… that the label is currently known for.” Reviving the Russian

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Top 10 Fashion Films of the Season

LONDON, United Kingdom — According to network technology and services company Cisco, the number of people who watch web videos will surpass 1 billion by the end of 2010. By 2014, web video alone will account for 57 percent of all consumer internet traffic. Already, more than 2 billion videos are played each day on YouTube alone. With staggering statistics like these, it’s no surprise that fashion brands, both large and small, are investing in online video content, while agencies that represent commercial artists are urging their fashion photographers to reposition themselves as image-makers who can direct short films. But what makes a good fashion film? And are these the same primary concerns that go into a good fashion photograph?…

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London Fashion Week | Digital Fashion Capital

LONDON, United Kingdom — As the fashion industry continues its march into the digital age, London — always known for its raw creativity and emerging talent — can now add digital innovation to that list. This is no overnight story. To the contrary, it’s taken ten years for fashion players here to plant seeds which are only beginning to bear fruit now, as fashion’s digital tsunami really begins to take hold. The British capital, after all, is home to revolutionary fashion website SHOWStudio, e-commerce pioneer Net-a-Porter, and online hub of youth culture Dazed Digital — all of which were founded many years ago. These seminal businesses have created a foundational and fertile seedbed for other digital businesses and attracted and developed digital talent that…

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Fashion 2.0 | The Revolution Will Be Webcast

LONDON, United Kingdom — For many fashion companies, 2009 was the year the internet arrived. In the face of an unprecedented economic crisis and overwhelming evidence that affluent consumers are highly active online, senior executives across the industry are finally starting to embrace digital media with a new strategic seriousness. There was no better sign of this than the impressive gala held during London Fashion Week to

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Top 10 Fashion Films of the Season

Pringle Film Screenshot | Source: Style.com

  NEW YORK, United States — Fashion film was everywhere this season. Emerging and established designers alike dreamt up new ways to use the medium, proving it to be an increasingly powerful and flexible format for capturing, heightening and transmitting the energy of the collections. In New York, designers Gareth Pugh and Tim Hamilton presented films that acted as prequels and sequels to their respective Paris runway shows,

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Spring/Summer 2010 | The Season That Was

Yohji Yamamoto and Zinedine Zidane

LONDON, United Kingdom – As four weeks of fashion shows came to a close last week in Paris, it was hard to believe it had only been a month since the start of a fashion week season that had many designers, editors and buyers holding their breath. Thankfully, optimism reigned supreme as the industry finally got its groove back. But even before the regular jam-packed four week fashion marathon was Fashion’s Night Out — possibly the

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New York Fashion Week | Of Fashion Prequels and Sequels

Gareth Pugh Spring Summer 2010 Film Installation

NEW YORK, United States — In recent seasons, digital fashion film has been gaining momentum as an emotionally charged and cost-effective presentation format. But this season is the first time designers have started using film in a way that tightly complements their runway shows and lets them extend their presence across multiple fashion weeks, in different geographic markets. Yesterday evening, English enfant terrible Gareth Pugh,

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In Conversation with Ruth Hogben, Fashion Filmmaker

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Watch in High Quality at SHOWstudio.com LONDON, United Kingdom — Digital fashion film has gained real momentum over the last couple of seasons. Using sound and movement to communicate fashion in a way that’s emotionally charged, cost-effective and easily distributed, the format has been adopted for online editorial and fashion week presentations alike. But it’s important to remember that new formats are only as

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