Celebrating Yohji, Instagram’s platform, Hedi’s debut, Wintour and Galliano, Rookie’s first print

Ilaria Venturini Fendi | Source: Vogue.it

Yohji Yamamoto’s Museum Style (Interview) “Yohji Yamamoto, champion of the avant-garde, has built an empire crafting ready-to-wear clothing brilliantly complex in texture, fabric, and tailoring… Opening today, the Japanese designer’s work will be celebrated in Israel for the first time at Design Museum Holon, as part of a series of traveling museum exhibitions.” Instagram Becomes a Springboard for

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Slimane’s second act, Ralph Lauren shares hit, Yoox growth, Moda Operandi makes big hires, Yohji’s world

Hedi Slimane | Source: Hypebeast

A Fashion Designer’s Second Act (NY Times) “When Hedi Slimane stepped down as artistic director at Dior Homme in 2007, Fashion Wire Daily summed up his tenure this way: ‘Slimane leaves Dior with the well-earned reputation as the single most influential men’s designer this century, the most copied of his peers and the only one to achieve the status of a rock star.’… But Mr. Slimane seems to have left fashion

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Ethical fashion gets social, Push to ease rules for UK visas, Executive switcheroos, Saks’ leadership, Yohji as himself

Looks from the IOU project | SourceL IOU

Ethical fashion weaves in social media (CNN) “With each piece of clothing there is a link called “This item’s journey” that leads to pictures and profiles of the weaver who created the fabric and of the artisan who cut the material and created the design. Using the IOU Project’s iPhone app, you can take a photo of the QR code to pull that story up again.” Luxury stores urge UK to issue more

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Amazing Grace, Buying high and low, Luxury loves the iPad, Paris’ final provocation, Yamamoto’s London moment

Grace Coddington | Source: DKNY Times

Grace Coddington: Creative Indeed (Intelligent Life) “Grace Coddington, the creative director of American Vogue, who turns 70 in April, has been a quietly revolutionary presence in the fashion world—first as a model, then as an editor—for half a century. But only since the release of the film “The September Issue” in 2009 has she been recognised in public—greeted by strangers who witnessed some of her creative battles and now

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