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Les Petites Mains

Offering a rare glimpse into the human stories behind Haute Couture, BoF takes its readers into the Christian Dior atelier during the final, high-intensity 24 hours before the show, witnessing the tribulation and elation of fashion’s unsung heroes: Les Petites Mains.

Ready-to-Wear - Spring 2018

Versace

Donatella Versace, Her Brother's Keeper

Donatella's salute reanimated Gianni's greatest hits in such a way that the new generation could at least grasp some sense of their exuberant don’t-give-a-fuck quality.

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This Week in Fashion

Gucci's Rise Signals a New Model for Fashion

As a fashion system built on seasonal collections, runway shows and wholesale partnerships continues to wane, what’s taking its place?

Global Currents

Brazilian Shoe Moguls Entice Global Market

Brazil’s billion-dollar footwear industry bucked the recession and keeps on rising despite continued economic and political turmoil.

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How Claudia Schiffer Turned Luck into Longevity

Thirty years into her career, the supermodel speaks exclusively to BoF's Tim Blanks about her journey from shy teen to industry icon as she prepares to release a new retrospective book, footwear collaboration and beauty line.

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Philosophy di Lorenzo Serafini

At Philosophy, East Meets West

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Bally

An Opulent Update at Bally

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Ermanno Scervino

The Softness of Ermanno Scervino

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Antonio Marras

Antonio Marras' Lunatic Ladies

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Les Petites Mains

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Top Fashion Schools in Australia: Leaving the Periphery

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Top Fashion Schools in Italy: Close to the Craft

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‘Strife and Exultation’: Willie Walters’ Life in Education
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Featured discussion

Cultural Appropriation: Theft or Innovation?

14 July 2017

Some see cultural appropriation as inherently disrespectful, while others see it as vital to creative expression and innovation. Who’s right?

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2 case studies

  • Chanel, Boomerangs and the Importance of Cultural IQ

    By BoF Team

  • Kendall Jenner Pepsi Ad Draws Outrage

    By Reuters
2 opinions

Why Fashion Needs Cultural Appropriation By Osman Ahmed

Op-Ed | Fashion Does Not Need Cultural Appropriation By Darío Calmese

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