The Business of Fashion
Agenda-setting intelligence, analysis and advice for the global fashion community.
Agenda-setting intelligence, analysis and advice for the global fashion community.
Antonio Marras Autumn/Winter 2016 | Source: InDigital.tv
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Ermanno Scervino Autumn/Winter 2016 | Source: InDigital.tv
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A different approach to styling would also be of great service to Ermanno Scervino, one of the proudest heralds of true Italian craft. His shows are too predictably ladylike. While others take pride in being artisanal, only to create dull renditions of couture pieces, Scervino has industrialised his atelier to great effect. The quality of his productions are unsurpassed.
His collections, like the one shown today, are filled with beautiful tailoring and voluptuous dresses with a lingerie quality. This season there were strong military nods, but for the rest it was ladylike business as usual. Seeing the Scervino woman become a touch more wild would be a thrill.
Ports 1961 Autumn/Winter 2016 | Source: InDigital.tv
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From where aspirational customers are spending to Kering’s challenges and Richemont’s fashion revival, BoF’s editor-in-chief shares key takeaways from conversations with industry insiders in London, Milan and Paris.
BoF editor-at-large Tim Blanks and Imran Amed, BoF founder and editor-in-chief, look back at the key moments of fashion month, from Seán McGirr’s debut at Alexander McQueen to Chemena Kamali’s first collection for Chloé.
Anthony Vaccarello staged a surprise show to launch a collection of gorgeously languid men’s tailoring, writes Tim Blanks.