The Business of Fashion
Agenda-setting intelligence, analysis and advice for the global fashion community.
Agenda-setting intelligence, analysis and advice for the global fashion community.
MILAN, Italy — In a season when everybody keeps going overtly decorative, adding embroideries, patches and more in order to get a Gucci-fied effect, Marco de Vincenzo stuck to his own psychedelic guns.
He is a decorator, too, but of a wholly different kind. His take on embellishment is the way he manipulates, prints and alters surfaces. This collection was one of his best so far: baroque, yet light. Working on a dystopian idea of ladylike, De Vincenzo delivered perfectly classic pieces, from the fur coat to the pleated skirt, that were given a cartoonish makeover. It felt fresh and naive, with a healthy dose of deranged sophistication. Should Fendi be looking for a heir to Karl Lagerfeld, De Vincenzo would be a perfect candidate. He understands playfulness and class.
From where aspirational customers are spending to Kering’s challenges and Richemont’s fashion revival, BoF’s editor-in-chief shares key takeaways from conversations with industry insiders in London, Milan and Paris.
BoF editor-at-large Tim Blanks and Imran Amed, BoF founder and editor-in-chief, look back at the key moments of fashion month, from Seán McGirr’s debut at Alexander McQueen to Chemena Kamali’s first collection for Chloé.
Anthony Vaccarello staged a surprise show to launch a collection of gorgeously languid men’s tailoring, writes Tim Blanks.