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Chuck Taylor Sequel Flops, Dealing Blow to Nike’s Converse Brand

With a lot of fanfare last July, Converse released a more expensive version of the classic Chuck Taylor, the first major overhaul of the world’s most iconic and best-selling sneaker, though like many sequels it was a letdown.
Converse Chuck Taylors II | Source: Converse
By
  • Bloomberg

BOSTON, United States — Like many sequels, the Chuck Taylor II was kind of a letdown.

With a lot of fanfare last July, Converse released a more expensive version of the classic Chuck Taylor, the first major overhaul of the world’s most iconic and best-selling sneaker. The big pitch was a more comfortable shoe, with Nike’s patented bouncy foam in the soles, and a slick new look.

After a little more than a year, the upgrade has been a flop. Converse could not make a persuasive case for the premium price, and demand for the shoe has fallen short of expectations, according to people familiar with sales figures. Converse sales overall have slid 1.4 percent to $1.96 billion — after averaging 15 percent growth the past four years.

As demand for the Chuck Taylor II weakened, Nike announced in April that longtime executive Davide Grasso would replace Jim Calhoun as chief executive officer of Converse.

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“If they want to make a better Chuck Taylor, make a better Chuck Taylor,” says Hal Peterson, who runs sneakerhead website The Chucks Connection and owns about 200 pairs of Chucks. “Don’t come out with a new look. Taking away the look was a mistake.”

A spokeswoman for Converse declined to comment. Investors will get more insight into how the brand is doing on Tuesday when Nike reports quarterly results after the market closes.

Diverse Fans

Chuck Taylors, which began a century ago as cutting-edge basketball sneakers, have in the last 40 years become a rare fashion staple that cut across age, race, gender and subculture. Actors and musicians as diverse as Winona Ryder, Bruce Hornsby, Joey Ramone, Justin Bieber and Kesha have all been photographed in Chucks.

The popularity has been a boon to Nike, which was able to take an already-popular shoe and push it to a global distribution network. Before Nike acquired the brand in 2003, annual sales were around $200 million. Today, they are close to $2 billion.

Converse was hesitant to fix something that by most accounts was not particularly broken. The shoes were not comfortable, but then again, they never were.

Do More

Still, last year Calhoun said Converse needed to do more than releasing Chucks in new colours or in special-edition collaborations with artists. Its core teenage customer had come to expect innovation and technology, he said. A new version also gave the brand a chance to charge more. Chuck Taylor All-Star low-tops start at $50 on Converse’s website, a price point that has not changed much in the last five years.

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The Chuck IIs started at $75, a 50 percent price increase. There is one with mesh-backed leather for $100. Another with water-resistant canvas sells for $110.

As the world's largest athletic brand, Nike was able to push the Chuck II to its retail partners, the people said. Now they can be found at deep discounts: 53 percent off at Foot Locker, 40 percent off at Nordstrom. Nike.com, which hosts Converse's online store, also has some versions on clearance.

A recent weekday at a Manhattan Journeys store, a shoe chain that caters to teens and 20-somethings, assistant manager Simon Mendez said he has struggled to sell the Chuck IIs since their debut.

“Basically, they prefer the classic model because they don’t understand how the new ones work,” said the 21-year-old from the Bronx. “People aren’t really into the IIs.”

Racing Stripes

One of the biggest gripes Peterson, the uber fan, heard is that the company removed the lines on the toe and along the sole — what are affectionately called racing stripes. Mendez, the store manager, has gotten the same complaints.

“Trying to make something consumers think is cool, that’s challenging,” Calhoun said last year on the eve of the Chuck II release. “Trying to solve for consumers’ needs and what they want out of a product, that’s challenging too. Doing both, that’s where we want to take Converse.”

By Sarah Very and Matt Townsend; editors: Nick Turner, Janet Paskin and Kevin Orland.

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