News & Analysis
21 April 2020
21 April 2020 • By Sarah Kent
15 March 2020
15 March 2020 • By BoF Team
Ready-to-Wear Autumn 2020
20 February 2020
Ready-to-Wear Spring 2020
19 September 2019
The collection was nicely executed and highly wearable but failed to really carry the 'Killing Eve'-inspired narrative referenced by designer Ian Griffiths.
Ready-to-Wear - Autumn 2019
21 February 2019
A focus on glamour translated into a very long, very product focused, outstanding collection that captured some of the pomp of the Eighties and reflected the modern resurgence of power dressing.
Ready-to-Wear - Spring 2019
20 September 2018
Ian Griffiths paid homage to his design mentor with a powerful collection that felt true to the roots but not nostalgic, nor inclined to replica.
22 February 2018
The design team worked around a convention/rebellion theme, subverting the notion of power dressing usually associated with Max Mara, but it ultimately felt like a styling trick.
Ready-to-Wear - Spring 2018
22 September 2017
Perfectly tailored separates can look boring on the catwalk, but the collection was best when it stuck to metropolitan simplicity.
Ready-to-Wear - Autumn 2017
27 February 2017
23 February 2017
It was honest, most of all: no styling trick and no diversion, just faultless outerwear and classy separates real women might actually want to wear.
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