1 April 2019
1 April 2019 • By BoF Team
1 March 2019
He wanted his collection to be full-on glam: the platform boot, the sharp sci-fi shoulder, the sexual provocation. His clothes are always grand, though it doesn’t explain their animal magic.
18 January 2019
As much as lust, vice and Larry LeGaspi have worked their dissolute magic on the designer, here he acknowledged that with age has come responsibility.
28 September 2018
He was wrestling with his nihilistic mood, but what was most striking about his collection was how celebratory it looked.
22 June 2018
His eldritch geometries served to emphasise his affection for Russian Constructivism, visible in the sweeping polyhedron-like capes and coats which had that sacerdotal quality that is Owens at his most optimistic.
2 March 2018
He wondered if campness would bring down the wrath of trolls, but another more subdued quality suggested a new depth of reflection.
19 January 2018
The designer's anger loaned the collection an apocalyptic edge, but he still found beauty — and humour — in the darkness.
9 January 2018
9 January 2018 • By Chantal Fernandez
19 December 2017
The designer talks to BoF’s Tim Blanks on the occasion of his retrospective-meets-reckoning ‘Subhuman Inhuman Superhuman.’
29 September 2017
The collection was another way station on the designer's peculiar progress to a kind of peace, where his clothes speak quietly to more and more people.
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