The Business of Fashion
Agenda-setting intelligence, analysis and advice for the global fashion community.
Agenda-setting intelligence, analysis and advice for the global fashion community.
In its new form, the agency will manage editors and writers who cover creative topics, including freelance reporters for publications like GQ and Mr Porter.
While photographers, artists and other types of creatives have long worked with agents to secure contracts and commissions, journalists are typically left out of talent management, Loughlin Joseph said in a statement about its relaunch. As the scope of traditional media shrinks, more and more writers are pivoting to in-house brand content, creating an opportunity for an agency to facilitate these new opportunities.
“Language is continuously overlooked and underserved in branding,” Loughlin Joseph founder and director Ruari Mahon said in the statement. “We understand that brands are micro-media platforms in themselves, and products and imagery no longer speak alone.”
So far, the firm’s clients include Guardian contributor Jude Rogers and Wallpaper* editor Nick Compton.
The stylist is set to unveil a bi-annual print magazine and digital platform, with a team that includes Holly Shackleton and Fran Burns.
Luxury book publishers — and husband and wife — Prosper and Martine Assouline join BoF founder and editor-in-chief Imran Amed to discuss the genesis of their publishing business and how they are growing it into a global lifestyle brand.
Now under the ownership of British publisher Future, both Marie Claire and WhoWhatWear are contending with how to grow their new parent’s US operations in the ever-challenging media landscape.
Fast Company has named The Business of Fashion one of the ‘world’s most innovative companies’ for a second time for demonstrating ‘how a media brand can leverage AI to add reader value rather than erode trust with AI-written news articles.’