The Business of Fashion
Agenda-setting intelligence, analysis and advice for the global fashion community.
Agenda-setting intelligence, analysis and advice for the global fashion community.
NEW YORK, United States — Australian designer Dion Lee has made his name 'down under' for razor sharp cutting and a silky hand with summer flou, a fact that sometimes lends a sexed-up, provocative edge to his clothes. Spring 2017 however put thankful pause to the figure-hugging, slashed satin gowns that had crept into his cerebral oeuvre of late.
Instead, he focused on reconstructing clever iterations on the trench coat, the tunic and the slip dress all with an elevated, athletic ease provided by tweaked proportions (a giant belt, a cape back or a shorn-off shoulder, for example). Inspired by refracted light, his stripped and laminated shifts appeared both precious and weightless. They’ll hold up as serious eveningwear options more so than the sequined separates that closed the show.
From where aspirational customers are spending to Kering’s challenges and Richemont’s fashion revival, BoF’s editor-in-chief shares key takeaways from conversations with industry insiders in London, Milan and Paris.
BoF editor-at-large Tim Blanks and Imran Amed, BoF founder and editor-in-chief, look back at the key moments of fashion month, from Seán McGirr’s debut at Alexander McQueen to Chemena Kamali’s first collection for Chloé.
Anthony Vaccarello staged a surprise show to launch a collection of gorgeously languid men’s tailoring, writes Tim Blanks.
BoF’s editors pick the best shows of the Autumn/Winter 2024 season.