The Business of Fashion
Agenda-setting intelligence, analysis and advice for the global fashion community.
Agenda-setting intelligence, analysis and advice for the global fashion community.
PARIS, France — This Hermès collection was way better than the previous ones. Gone were the lumpy shapes, the strange prints and the unflattering colours that looked so out of place in a house like Hermès. The show was held in the beautiful gardens of the Lycée Victor Duruy en plein air: the setting matched and highlighted the forest-meets-riding theme. The craftsmanship, of course, was outstanding: waterproof calf, anyone?
With this outing Nadege Vanhee-Cybulski took giant strides forward. She delivered some seriously attractive pieces, in particular the chiseled blousons and the draped leather dresses.
Yet, there is still a long path ahead of her in order to give Hermès the fire stamp of desirability. The shoes, for instance, were a bit dodgy. With Céline soon to turn into something different and with all the Philophiles left looking for an alternative, it would be the right time for Hermès to get a brushing. Is Vanhee-Cybulski the right designer to deliver this? She probably is. However, she needs to up the ante on the chic refinement that’s essential to Hermès.
Tim Blanks and Imran Amed discuss the highlights of the Autumn/Winter 2023 collections, including Daniel Lee’s debut at Burberry, a transitional show at Gucci and Balenciaga’s first brand statement in the wake of the advertising scandal.
Hollywood has always been close to the designer’s heart, so it was pure kismet that Donatella showed her latest collection in Los Angeles three days before the Oscars.
In an age of clickbait fashion, it was acts of reduction that, paradoxically, stood out most, reports Angelo Flaccavento.