The Business of Fashion
Agenda-setting intelligence, analysis and advice for the global fashion community.
Agenda-setting intelligence, analysis and advice for the global fashion community.
PARIS, France — Kym Ellery's clothes are cult: her now ten-year-old brand has quietly evolved into a department store best seller and a weather vane for trends that, when shown on the last day of fashion month, can often neatly sum up an array of stylistic tropes that float around many designers' collective consciousness. Autumn 2017 saw that conceit played out in the paradox of 'purist maximalism' she does so well: cutting streamlined, curved and flared shapes in rich fabrics to arrive at a pick-n-mix silhouette of long, puff-sleeve column dresses against cropped pants, generous lounge-y suits, and dramatic statement coats in fuzzy furs and squiggly quilting.
Ultimately though, it was through embellishment and accessory that Ellery ticked the most boxes: she worked giant pearls, fringing, contrast topstitching, crafty earrings, and corduroy boots into her styling hot pot. Each detail was a calculated appropriation of l’air du temps — in the right place, at the right time, as it were.
From where aspirational customers are spending to Kering’s challenges and Richemont’s fashion revival, BoF’s editor-in-chief shares key takeaways from conversations with industry insiders in London, Milan and Paris.
BoF editor-at-large Tim Blanks and Imran Amed, BoF founder and editor-in-chief, look back at the key moments of fashion month, from Seán McGirr’s debut at Alexander McQueen to Chemena Kamali’s first collection for Chloé.
Anthony Vaccarello staged a surprise show to launch a collection of gorgeously languid men’s tailoring, writes Tim Blanks.
BoF’s editors pick the best shows of the Autumn/Winter 2024 season.