The Business of Fashion
Agenda-setting intelligence, analysis and advice for the global fashion community.
Agenda-setting intelligence, analysis and advice for the global fashion community.
NEW YORK, United States — Without sounding prophetic, it's not difficult to assume a Prabal Gurung collection will be a mixed bag: one bursting with sensual fabrics, pretty decorations, and modest, flattering cuts. The appeal of his clothes is one of the floaty and feminine variety, so why not take Gloria Steinem, one of the world's most prolific living feminist figures, to inspire them?
He did just that for Spring/Summer 2017, drawing from the 82-year-old's travels, writings, and bohemian personal style as a springboard for his asymmetric silk gowns trailing with details like handkerchief hems, ribbons or thread embroidery spelling out poetic (and political) quotes and scrawled floral prints galore. Bias cuts and spaghetti straps played to Gurung's strengths this time around, as did the appealing hold of rib-knit panels that hugged a story of jewel-toned satin dresses in all the right places.
Next season however, he best leave those pleated, floor-trailing wizard sleeves lie — they did no favours to an otherwise pretty pair of crepe columns at show's end.
From where aspirational customers are spending to Kering’s challenges and Richemont’s fashion revival, BoF’s editor-in-chief shares key takeaways from conversations with industry insiders in London, Milan and Paris.
BoF editor-at-large Tim Blanks and Imran Amed, BoF founder and editor-in-chief, look back at the key moments of fashion month, from Seán McGirr’s debut at Alexander McQueen to Chemena Kamali’s first collection for Chloé.
Anthony Vaccarello staged a surprise show to launch a collection of gorgeously languid men’s tailoring, writes Tim Blanks.
BoF’s editors pick the best shows of the Autumn/Winter 2024 season.