The Business of Fashion
Agenda-setting intelligence, analysis and advice for the global fashion community.
Agenda-setting intelligence, analysis and advice for the global fashion community.
NEW YORK, United States — Fifteen years ago this month, Rachel Comey staged her first runway show on the streets of Tribeca. "It was two days before 9/11 and I was very naive. I didn't know anything," she recalled on Wednesday morning at her Soho boutique, just moments after turning a New York City sidewalk into her runway.
The loose, DIY-approach to the production — her usual mix of friends and models walking in the clothes, interrupted briefly by an unknowing, chino-clad man on his way to work — confidently communicated Comey’s identity as a designer. She has long moved away from the seasonal concepts or overarching themes that can bog down a collection. Instead, individual pieces like the pleated, billowing silk jumpsuit in a daring violet, the chain-link pencil skirt and the fractured-floral quilted bomber illustrated her appreciation of — and masterful handle on — textiles.
From where aspirational customers are spending to Kering’s challenges and Richemont’s fashion revival, BoF’s editor-in-chief shares key takeaways from conversations with industry insiders in London, Milan and Paris.
BoF editor-at-large Tim Blanks and Imran Amed, BoF founder and editor-in-chief, look back at the key moments of fashion month, from Seán McGirr’s debut at Alexander McQueen to Chemena Kamali’s first collection for Chloé.
Anthony Vaccarello staged a surprise show to launch a collection of gorgeously languid men’s tailoring, writes Tim Blanks.
BoF’s editors pick the best shows of the Autumn/Winter 2024 season.