The Business of Fashion
Agenda-setting intelligence, analysis and advice for the global fashion community.
Agenda-setting intelligence, analysis and advice for the global fashion community.
NEW YORK, United States — Fifteen years ago this month, Rachel Comey staged her first runway show on the streets of Tribeca. "It was two days before 9/11 and I was very naive. I didn't know anything," she recalled on Wednesday morning at her Soho boutique, just moments after turning a New York City sidewalk into her runway.
The loose, DIY-approach to the production — her usual mix of friends and models walking in the clothes, interrupted briefly by an unknowing, chino-clad man on his way to work — confidently communicated Comey’s identity as a designer. She has long moved away from the seasonal concepts or overarching themes that can bog down a collection. Instead, individual pieces like the pleated, billowing silk jumpsuit in a daring violet, the chain-link pencil skirt and the fractured-floral quilted bomber illustrated her appreciation of — and masterful handle on — textiles.
Brand DNA is marketing speak until it isn’t, as the latest Prada and Tom Ford collections proved.
A solemn Fendi and a rave-y Diesel were both, in their own ways, studies in extremes, writes Tim Blanks.
Susie Lau reports from London, from Erdem Moralıoğlu’s deft mining of Chatsworth to Daniel Lee’s sophomore outing for Burberry.
Accessories are a major part of Daniel Lee’s brief at Britain’s biggest fashion brand. In an exclusive preview with Tim Blanks, the designer breaks down how his Spring/Summer 2024 collection addresses the challenge.