The Business of Fashion
Agenda-setting intelligence, analysis and advice for the global fashion community.
Agenda-setting intelligence, analysis and advice for the global fashion community.
NEW YORK, United States — The Montana-bred, Bolshoi Ballet Academy-trained Julian MacKay flew in from Russia to perform in Ryan Roche's Spring 2017 presentation, where his gliding figure was framed by models wearing a gradation of seven makeup shades, from alabaster to mocha. The colour palette allowed Roche's textural knits and increasingly sophisticated tailoring to take centre stage.
The Upstate New York-based designer has moved a good deal of her production from Nepal to Italy, where it’s possible to turn out elegant pieces like a puffed-sleeve cashmere jumper in a loose jersey knit, crepe high-waist trousers and a silk-knit cardigan floating inside two layers of organza. There, she is also producing leather square-heel pumps and sleek-but-sturdy belts in the same factories used by big-time brands like Chloé.
If there was ever an heir apparent sensibility-wise to Donna Karan, it might be Roche. Wearing a crepe black blazer and a sand-coloured sweater dress of her own design, Roche, and her clothes, exuded the quiet power Karan has championed.
From where aspirational customers are spending to Kering’s challenges and Richemont’s fashion revival, BoF’s editor-in-chief shares key takeaways from conversations with industry insiders in London, Milan and Paris.
BoF editor-at-large Tim Blanks and Imran Amed, BoF founder and editor-in-chief, look back at the key moments of fashion month, from Seán McGirr’s debut at Alexander McQueen to Chemena Kamali’s first collection for Chloé.
Anthony Vaccarello staged a surprise show to launch a collection of gorgeously languid men’s tailoring, writes Tim Blanks.
BoF’s editors pick the best shows of the Autumn/Winter 2024 season.