The Business of Fashion
Agenda-setting intelligence, analysis and advice for the global fashion community.
Agenda-setting intelligence, analysis and advice for the global fashion community.
PARIS, France — This morning, in the gilded splendors of the salons of the Hotel de Ville, models took the final walk on the Issey Miyake catwalk smiling. It is not an usual sight: boredom and a cold stare of contempt is what the audience is usually given. It was a precise request of designer Yoshiyuki Miyamae, and it landed a delicate aura to the whole. Which, speaking of clothes, was a charming affair of dancing shapes and aurora borealis colours, of pleats and elementary forms that swing and swarm around the body. Over the past few seasons, Miyamae has found his own key to the Miyake ethos: playful and feminine, with a stress on volume. It is working. Diminishing the cuteness a bit more would push things further forward, if Miyamae keeps the smiles.
And designer Sabato De Sarno doubles down with his Cruise ‘25 show for the brand, writes Tim Blanks.
From where aspirational customers are spending to Kering’s challenges and Richemont’s fashion revival, BoF’s editor-in-chief shares key takeaways from conversations with industry insiders in London, Milan and Paris.
BoF editor-at-large Tim Blanks and Imran Amed, BoF founder and editor-in-chief, look back at the key moments of fashion month, from Seán McGirr’s debut at Alexander McQueen to Chemena Kamali’s first collection for Chloé.
Anthony Vaccarello staged a surprise show to launch a collection of gorgeously languid men’s tailoring, writes Tim Blanks.