A single year in the photographer’s career was the impetus for a spectacular new exhibition and a love letter by Tim Blanks.

The designer’s ‘show on wall’ concept was an irresistibly surreal invitation to surround yourself with Loewe, and a museum-worthy artifact of the Age of Covid.

BoF’s Editor-at-Large travels back in time to the designer’s Edie Sedgwick-inflected Spring 2013 show which reimagined proper little misses from the early 60s in a parade of bizarre propriety.

Ethan James Green, the man behind American Vogue’s most recent covers featuring Rihanna and Phoebe Waller-Bridge, is charting a different type of career trajectory with agent Jordan Hancock. They tell BoF about the photographer’s rapid rise.

Over 50 years in the industry, the editor-turned-retailer transformed a gallery in the garage of 10 Corso Como into one of the world’s most prestigious concept-store brands with five international locations.

Roksanda Ilincic united painterly prints informed by the decaying layers of art posters with more utilitarian pieces, while Quinn put on a show complete with members of London’s Philharmonic Orchestra and a gaggle of feathered-bonneted schoolgirls.

A new book by fashion's most illustrious art director is a compilation of his four-decade career. But more than that, this retrospective of ad campaigns, magazine editorials and private photography reveals a primal faceoff between chaos and control — a hint to what's to come, writes Tim Blanks.

Marc Lotenberg, chief executive and chairman of the newly formed Future Media Group, has named Style Director Sara Moonves editor-in-chief after acquiring the fashion magazine from Condé Nast.