Bryan Goldberg’s rollup firm has struggled to turn its portfolio of well-known, if faded properties into a viable business amid sweeping changes in the online media economy. Now, BDG is going after wealthier readers, starting with a revival of Nylon’s print edition.

More Black hair and makeup artists are getting plum high fashion gigs that once eluded them, writes Jason Campbell.

Plunging marketing budgets are disrupting the traditional value exchange between fashion brands and the magazines that cover them — with both sides wondering if the fear of missing out on editorial coverage can still drive hefty ad investments in an increasingly digital world.

BoF’s Editor-at-Large revisits his top fashion shows of all time, starting with the first Paris presentation he ever covered, back in the go-go Eighties.

This week, Tommy Hilfiger hires its new CMO from Hollister, while Refinery29 taps Nylon’s former editor-in-chief for a newly created role.

Giant audience numbers won’t save American magazines from obsolescence, but being excellent just might give a few choice titles a chance at long-term survival.

Marc Lotenberg, chief executive and chairman of the newly formed Future Media Group, has named Style Director Sara Moonves editor-in-chief after acquiring the fashion magazine from Condé Nast.

Marie Suter, currently the creative director for W, Teen Vogue, Allure and Them, helped define a new visual era at the legacy publisher.