This week, the stylist is American Vogue’s latest editorial addition, while Abloh joins the nonprofit's board of governors.
Fashion’s mistreatment of garment workers is widespread, but this week, allegations of ‘modern slavery’ at suppliers of British ultra-fast fashion label Boohoo have ignited a firestorm. Why now?
The heartbeat of the industry returns to work on Monday — but at what cost?
Designers embraced the polar opposites of traditional womanliness and tailored, menswear-inflected power dressing.
Glenn Martens’ stated Belle Époque inspiration was evident in the curvaceous ballgowns that closed the show but the rest was business as usual.
As a young master, Glenn Martens deserves kudos, even more so because he is not screaming for attention.
Glenn Martens’ latest show felt particularly grown up and his renewed interest in the salon over the street, marked a welcome step forward.
Sensual wildcard looks that subverted ideas of costume in a thrilling way shined the most in this collection.
While the collection will undoubtedly maintain the brand’s upward impetus in streetwear circles, it lacked the historical musings that have peppered Y/Project’s recent shows.
Glenn Martens has carved out an unexpected niche in neo-historical fashion. His clothes have an innate newness despite their foundation in quotidian garments and winks to the distant past.
In the run-up to his Paris Fashion Week show, designer Glenn Martens talks to BoF about the buzzy label’s recent successes and his plans for the future.