The worst quarter in the history of the modern luxury business was also its best ever for digital sales.

Designer Yusuke Takahashi's collection of wearable garments will certainly find a place in the closets of many men but on the catwalk it lacked a powerful point of view.

Nothing was really out of place, yet nothing really delivered a punchy blow. This collection felt lukewarm.

Yusuke Takahashi’s powerfully calm show reestablished the core codes of the brand: clever and essential design at the crossroad of East and West with human need at its centre.

Takahashi succeeds in updating and evolving the Miyake ethos and heritage, though the prints should have been edited out.

Flux and fluidity, often manifest as travel, emerged again at the Paris men's shows, reflecting the ever-changing state of fashion and the wider world.

Issey Miyake, Yohji Yamamoto, Kolor and Julien David showed masculinity in many forms.