This season, the British high street brand made some dramatic changes to its fashion show strategy, doing away with Topshop Unique and adopting a younger tone.
Can the one-time fashion favourite stage a comeback as sales fall and the likes of Asos, Boohoo and Zara continue to eat into its business?
Where should fashion’s cohort of free agent designers land? BoF pairs the industry’s top creative talent with houses in need of a creative jolt.
This week, Topshop's creative director Kate Phelan steps down, while Kering-owned Ulysse Nardin names Patrick Pruniaux its new chief executive.
Edward Enninful’s appointment as editor-in-chief of British Vogue is a bold and progressive choice for the 100-year-old magazine.
Style.com is launching a shoppable campaign to better demonstrate its content-commerce proposition and carve out a clear brand identity.
Call it elevated festival dressing, the collection’s garish pizzazz was tempered by baggy knits, soft trench coats and teddy furs.
BoF and Topshop announce the 10 winners of the Future VOICES challenge.
Today, BoF and Topshop launch a global competition to identify 10 breakthrough talents to present their ideas at VOICES, BoF’s new annual gathering for big thinkers.
Referencing 1980s London and post-punk visual artist Linder Sterling, Topshop Unique's latest collection represented today's British girl, who is more individualistic than ever before.
Tim Walker tells BoF about working for Avedon, rejecting social media and why there is a “need for dreams and truth in fashion” like never before.
"i-D chats to Caroline Rush, Chief Executive of the British Fashion Council, Kate Phelan, Creative Director of Topshop, and Sarah Mower, the British