The brand, which has surpassed €2 billion in annual revenue, celebrated its momentum with a fashion show-meets-concert in Los Angeles, where the biggest rock star was arguably the designer.

The group’s focus on luxury fashion has paid off, thanks to bets on bold creativity and the designer, CEO and merchandiser ‘tripods’ it typically installs at its brands, writes Luca Solca.

LVMH’s mission to turn Celine into a multi-billion dollar business got off to a rocky start, but there are signs the brand may be turning a corner.

After an era of streamlined logos and nearly constant drops of Instagrammable merchandise, European fashion houses are reasserting brand signatures from their pasts to signal lasting value in an uncertain market.

The designer’s latest ode to youth lacked vitality. Take away the Celine logos and it could have been anything, but there was plenty of tempting merchandise, writes Angelo Flaccavento.

In an exclusive interview with Tim Blanks, Saint Laurent Creative Director Anthony Vaccarello reveals the thinking behind his new collaboration with elusive former fashion designer Helmut Lang and his vision for a post-pandemic fashion industry.

BoF's editor-at-large travels back to a runway that left him misty-eyed. Ford may have claimed he’d blocked out his Saint Laurent years, but he also acknowledged some of his best collections were there. And this was his best.

Today, as Dior stages a destination runway show in Italy, a new report shows the LVMH-owned brand's finances inching closer to those of its oldest rival, fashion-and-beauty juggernaut Chanel.