The Business of Fashion
Agenda-setting intelligence, analysis and advice for the global fashion community.
Agenda-setting intelligence, analysis and advice for the global fashion community.
NEW YORK, United States — Chris Gelinas is an earnest romantic, nostalgic for another era when designers had the breathing room to slowly develop a point of view. Who knows if that ever really existed. But seven seasons in, Gelinas is finally finding his footing with a collection that contained the components of a brand in the making, including rose-gold metal accents, placket details and sleeves sliced into ribbons.
But distinctive visual cues don't necessarily generate desire, and there were times when his ideas still felt a little naive. Gelinas excels when he incorporates an element of athleticism into his work. An "evening" anorak in the palest blush organza, and kick-flare trousers rendered in super-stretchy, crinkled cotton were both dynamic.
From where aspirational customers are spending to Kering’s challenges and Richemont’s fashion revival, BoF’s editor-in-chief shares key takeaways from conversations with industry insiders in London, Milan and Paris.
BoF editor-at-large Tim Blanks and Imran Amed, BoF founder and editor-in-chief, look back at the key moments of fashion month, from Seán McGirr’s debut at Alexander McQueen to Chemena Kamali’s first collection for Chloé.
Anthony Vaccarello staged a surprise show to launch a collection of gorgeously languid men’s tailoring, writes Tim Blanks.
BoF’s editors pick the best shows of the Autumn/Winter 2024 season.