The Business of Fashion
Agenda-setting intelligence, analysis and advice for the global fashion community.
Agenda-setting intelligence, analysis and advice for the global fashion community.
MILAN, Italy —Westworld tweaked so many imaginations that it would be a wonder if it didn't tickle the edges of fashion somewhere. There's no telling if the Caten twins even saw the series, but the men and women on their catwalk Sunday night were a heady combo of pioneer spirit and alternate reality. Like the huge neon maple leaf atop the venue, glowing red in the chill mist of a winter night in Milan, there was something vaguely off-world about the Caten's latest effort.
A stylist had clearly been tested to the limit in shaping huge mounds of clothing into recognisable looks, and the results were often striking, from something as relatively simple as Joan Smalls in a fishnet gown crusted with beaded flowers, wrapped in a giant army green sweater — the combination of elegance and utility bordering on surreal — to the farrago of layered parkas and puffas and flying plaid shirt-tails that weighed down one young male model.
The grand old names Dior, Chanel and Armani have very different ideas about dressing the most demanding clients in fashion.
When fantasy collides with reality, there’s only one winner, as Schiaparelli’s Daniel Roseberry found out on Monday.
At its best, the men’s fashion week that closed today offered sculpted lines with little fuss, writes Angelo Flaccavento.
Milan men’s fashion week was ruled by a return to rationality and rigour, writes Angelo Flaccavento.