The Business of Fashion
Agenda-setting intelligence, analysis and advice for the global fashion community.
Agenda-setting intelligence, analysis and advice for the global fashion community.
NEW YORK, United States — It's no surprise that Phillip Lim referenced James Turrell backstage for Autumn/Winter 2017; Phillip's a learned man, and his artistic inspirations rarely overpower his knack for pretty, wearable creations. Rather, the artist's palette found its way into the show set via hot pink Perspex screens and throughout the collection itself, which ran through heathery, glacé colours like the rose pink of a nubby wool overcoat or a seafoam green Turrell-esque spotlight on a chunky rollneck sweater.
"The original New Romantics are a personal reference for me, but now it's more about this curiosity of studying what a woman is through curve, line, colour, and cut," he said backstage, perhaps referring to the proportional exercises of displaced tiers and wrap belted dresses in cloqué silk or ribbed knit.
Those worked best in their simpler iterations: elsewhere, sheaths of honeycomb mesh and ruched leather bustiers were a styling mishap that he could have done without. His best looks kept it simple: he played well off that New Romantic whimsy via tech fabrics, roomy tailoring, and slashed up party dresses in electric blue lace.
From where aspirational customers are spending to Kering’s challenges and Richemont’s fashion revival, BoF’s editor-in-chief shares key takeaways from conversations with industry insiders in London, Milan and Paris.
BoF editor-at-large Tim Blanks and Imran Amed, BoF founder and editor-in-chief, look back at the key moments of fashion month, from Seán McGirr’s debut at Alexander McQueen to Chemena Kamali’s first collection for Chloé.
Anthony Vaccarello staged a surprise show to launch a collection of gorgeously languid men’s tailoring, writes Tim Blanks.
BoF’s editors pick the best shows of the Autumn/Winter 2024 season.