BoF's Lauren Sherman speaks with some of fashion's most seasoned editors about what it means to reinvent the fashion magazine.

From cover stars to content concepts, top editors break down how producing magazines has changed during the pandemic — and perhaps forever.

For years, magazines disproportionately relied on white mega-celebrities to sell the most important issue of the year to advertisers. Now, they're responding to readers who want more diversity by featuring women of colour and independent brands. Will the shift pay off?

Print’s challenges might not matter to some who dream of following in the footsteps of Liz Tilberis and Glenda Bailey. But many of today’s editors have other aspirations.

Podcasts hold huge appeal for publishers but cutting through the clutter and making money is no easy feat, writes Amy Odell.

Australian Vogue’s Clare Press carved out a space as sustainability editor as the world began waking up to the climate crisis. Now, she urges those starting in fashion to ‘be bold and forget what's gone before.’

She will remain with Hearst in a full-time position as global consultant for the magazine.

Historically, exclusivity has been baked into all aspects of fashion week. But this season New York- and London-based designers are opening their shows up to the general public — for a price.