Couture Week was a polarised affair, opposing restraint and excess, technique and showmanship, real clothes and wild storytelling, with little in between, writes Angelo Flaccavento.

How the 75-year-old luxury house tripled its revenue in just four years, according to BoF luxury editor Robert Williams.

How did a 75-year-old brand triple its revenues in just four years? By overhauling its commercial offer, racing into e-commerce and investing in spectacular flagships, Christian Dior Couture has radically accelerated its business, transforming itself into “a homegrown Chanel challenger within LVMH.”

Tradition coursed through the veins of Paris couture week with few outliers, reports Angelo Flaccavento.

Balenciaga and Dior may offer radically different visions, but haute couture is always about an emotional response, writes Tim Blanks.

Dior and Saint Laurent showcase the challenges that lie ahead for the keepers of Virgil Abloh’s legacy.

Haute couture, once the realm of unbridled dreams, is getting back to making clothes, reports Angelo Flaccavento.

How the designer used fashion with a message to make a storied couture house relevant for a new generation — and helped turn it into a commercial juggernaut.