The Business of Fashion
Agenda-setting intelligence, analysis and advice for the global fashion community.
Agenda-setting intelligence, analysis and advice for the global fashion community.
PARIS, France — Nothing smelled like teen spirit at Balmain today — despite a few seated front row, and despite the mashed up strains of the cult Nirvana track that opened the show like some sort of mystical harbinger of the inappropriate appropriations to come.
Olivier Rousteing's schtick for Autumn was a voyage through animalia: one that saw him run amok with both exotic and garden variety skins chopped and sheared into many, many brown and gold armour-like minidresses.
His shopping list read like a strange safari: from springbok to snakeskin, shearling, astrakhan, crocodile and lizard, the intricately worked, at times tentacular designs came festooned with chains and punched with chenille (it caused a fug of powdery fibres around the runway when one touched the other).
Some came spliced with the kind of wolf face souvenir t-shirts you can find at any street market, in any far flung port. Others, however, came with overt references to fashion's recent history. Mr. Alaïa's iconic alligator-backed coat was one of them, amongst a slew of Tom Ford-isms that saw this collection looking back at late 20th century glamour through a decidedly 21st century lens.
From where aspirational customers are spending to Kering’s challenges and Richemont’s fashion revival, BoF’s editor-in-chief shares key takeaways from conversations with industry insiders in London, Milan and Paris.
BoF editor-at-large Tim Blanks and Imran Amed, BoF founder and editor-in-chief, look back at the key moments of fashion month, from Seán McGirr’s debut at Alexander McQueen to Chemena Kamali’s first collection for Chloé.
Anthony Vaccarello staged a surprise show to launch a collection of gorgeously languid men’s tailoring, writes Tim Blanks.
BoF’s editors pick the best shows of the Autumn/Winter 2024 season.