The Business of Fashion
Agenda-setting intelligence, analysis and advice for the global fashion community.
Agenda-setting intelligence, analysis and advice for the global fashion community.
NEW YORK, United States — Brandon Maxwell's models bring it. Each season he recruits movement coach Stephen Galloway to encourage casting director James Scully's lineup — which this time included Jourdan Dunn, Bella Hadid and Joan Smalls — to smile, spin and strut down the runway. The collection's soundtrack, filled with power pop like Queen's "I Want to Break Free" and Michael Jackson's "Black or White," made it easy.
What wasn't so easy were many of the looks. Maxwell cuts a clean line, and several of his pieces — a black tank dress with a curvy sweetheart neckline, or a layered-lapel tux — possessed a modernist bent missing in a lot of evening wear. But the collection's petal hems, exaggerated puffed sleeves, unnecessarily short hemlines and split-side gowns were too close to costume. He needs to learn how to elevate the va-va-voom element in his clothes.
From where aspirational customers are spending to Kering’s challenges and Richemont’s fashion revival, BoF’s editor-in-chief shares key takeaways from conversations with industry insiders in London, Milan and Paris.
BoF editor-at-large Tim Blanks and Imran Amed, BoF founder and editor-in-chief, look back at the key moments of fashion month, from Seán McGirr’s debut at Alexander McQueen to Chemena Kamali’s first collection for Chloé.
Anthony Vaccarello staged a surprise show to launch a collection of gorgeously languid men’s tailoring, writes Tim Blanks.
BoF’s editors pick the best shows of the Autumn/Winter 2024 season.